Page 17 - The Architecture of Nadler-Nadler-Bixon-Gil
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serrated concrete objects lends the theater’s entrance
                                         hall a monumental dimension that blends with the
                                         building’s soft horizontal lines, forming a structure that is a
                                         masterpiece of modern architecture in Jerusalem.

                                                    A transformation in the firm’s work occurred
                                         in the late 1960s, as a result of the prevalence of
                                         “structuralism” in international architecture. Structuralist
                                         theories influenced some of the most significant and
                                         prominent projects undertook by the firm during those
                                         years, particularly the Builders’ Insurance Fund Building
                                         in Jerusalem (1965-72); the Zalman Aranne Central
                                         Library at Ben-Gurion University of the Negev in Beer
                                         Sheva (1968-72); and the Leo Baeck Education Center
                                         in Haifa (1966-71). The heavy monoliths that had up until
                                         then characterized the firm’s buildings were now
                                         dismantled into components that repeated themselves
                                         in cell formations.

                                                    Having joined the firm in 1966, Moshe Gil brought
                                         new concepts that were circulating at the Technion. At
                                         their basis was the idea that eternal laws could possibly
                                         be translated, via an interdisciplinary act involving biology
                                         and technology, into a geometric language of abstract
                                         architecture; one that links the local to the universal. As a
                                         student of Alfred Neumann and Al (Alfred) Mansfeld, Gil
                                         believed that these concepts would produce an objective
                                         system for efficient planning of complex structures, while
                                         giving architecture added value due to the connection
                                         between human beings and the eternal dynamics of
                                         natural law.

                                                    The Nadlers and Bixon were familiar with these
                                         structuralist ideas as bears witness (among others) one
                                         of their most outstanding projects from the 1960s: the
                                         residential complex in Jerusalem’s Gonen neighborhood,
                                         where rows of duplicated buildings merge seamlessly
                                         with the hill’s slopes. Moreover, the desire to create
                                         architecture that transcends its material dimension – or,
                                         in Gil’s words, “the mysterious vanishing point that gives
                                         architecture value and meaning” – is present in numerous
                                         public buildings the firm planned over the years. The best
                                         among them – even the ones less known, such as Beit
                                         Elisheva in Jerusalem (1960-62) and Beer Sheva’s City

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