Page 34 - The Architecture of Nadler-Nadler-Bixon-Gil
P. 34

architecture that took place during that period. The original
                                         model, presented for the competition, is reminiscent of
                                         the National Library – yet also of Le Corbusier’s Villa
                                         Savoye. The final design is already speaking the visual
                                         language of monumental architecture: heavy, sculptural,
                                         official and theatrical. The same process is also evident
                                         in the Elias Sourasky Central Library at Tel Aviv University
                                         (1964-68), designed according to similar principles. Both
                                         cases express the teamwork that characterized the firm’s
                                         output – a practice comprising architects with different
                                         worldviews, with each maintaining her or his unique
                                         visual expression whilst combining their professional
                                         careers as partners.

                                                    Sharing the workload and responsibilities with a
                                         third partner allowed Shulamit and Michael to fulfil their
                                         desire to go on study tours abroad, especially to the
                                         United States. Evidence of these trips is found abundantly
                                         in their private archive, in the form of hundreds of
                                         photographic slides of contemporary architecture which
                                         influenced the firm’s work as it developed.

                                                    Bixon sums up those years: “We worked mostly
                                         on competitions, we lived competitions day and night,
                                         and it was that which elevated us. We shared the workload
                                         naturally: the design process was definitely shared, and
                                         building supervision was divided among us. In the 1960s
                                         many employees joined the firm, at one point over twenty.
                                         The office moved from Bar-Kochva Street to Helsinki
                                         Street in north Tel Aviv, which is when Moshe Gil joined us.”

                                                    “We welcomed Gil into the firm due to his
                                         character and his work, which presented more freedom
                                         in forms, in controlling of forms, which was an aspect we
                                         wanted to develop,” recalls Shulamit. “We were already
                                         set in simplicity; we tended toward clarity and simplicity,
                                         and Gil wanted to misbehave. Of course, the question
                                         is who goes wild; Bixon, as opposed to Gil, was more
                                         similar to us.”

                                         Moshe Gil was born in Chernivici, then part of Romania,
                                         in 1933 to Lily and Zvi Golz. In those troubled times prior
                                         to World War II ordinary schooling was impossible, and at

31
   29   30   31   32   33   34   35   36   37   38   39