Page 37 - The Architecture of Nadler-Nadler-Bixon-Gil
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Moshe Gil, 1980s    Gil adapted well to the design of apartment buildings that
80‫ שנות ה־‬,‫משה גיל‬  stood out owing to their facades, which were unusual
                    in public housing in Israel during those years. After a
34                  year’s work, Gil joined Nadler-Nadler-Bixon which had
                    expanded significantly, and had by then moved to a
                    larger office on Helsinki Street in north Tel Aviv. “I began
                    working on Leo Baeck Education Center in Haifa [pp.
                    98-107], on the Builders’ Insurance Fund Building in
                    Jerusalem [pp. 390-393], and later also on the Children’s
                    Nursery in Givatayim [pp. 108-113]”; Gil recalls his
                    early days in the office in 1966: “The arrangement was
                    so: I had my own corner at the office, I did sketches,
                    perspectives and models. Once every ten days everyone
                    would gather and give their critique. Shula encouraged
                    me to continue; Michael was more reserved.” Gil quickly
                    found his place in the office and in 1970 became a
                    named partner.

                               If until that point it seemed that the firm’s
                    work concentrated on the autonomous object – whole,
                    elevated, as if floating (sometimes on a platform) – the
                    arrival of Gil brought with it a greater attention to the
                    environmental context of the buildings, an attempt to
                    integrate buildings into their environment by
                    communicating with the landscape and topography.
                    The seeds of Gil’s systematic and modular concepts
                    were planted by his Technion teachers Al Mansfeld and
                    Alfred Neumann, whose influence is apparent in the
                    works of that generation of architects, including Israel
                    Goodovitch, Eldar Sharon and Zvi Hecker (the latter two
                    also collaborated for a period with Neumann).

                               Leo Baeck Education Center is one of the
                    earliest works in which Gil’s involvement is clearly felt.
                    The school was designed as a single building that
                    functions as an open system: a series of forms and
                    volumes weaved onto a connecting backbone. A similar
                    type of system can also be seen in the ORT School
                    of Engineering in Jerusalem (1970-78) [pp. 114-125],
                    and the Lerner Sports Center at the Hebrew University
                    campus on Mount Scopus in Jerusalem (1995-2000)
                    [pp. 292-295] – projects that since their inauguration
                    continued to develop.
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