Page 38 - The Architecture of Nadler-Nadler-Bixon-Gil
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Gil’s most significant contribution was in the
                                         field of library design. An apparent change is already
                                         noticeable on the façade of the Zalman Aranne Central
                                         Library at Ben-Gurion University in Beer Sheva (1968-72)
                                         [pp. 172-183]. Recurring apertures form-and-net the
                                         northern façade, exposing the building’s frame while also
                                         functioning as light channels leading indirect natural light
                                         into the reading and study halls – a feature that was
                                         secondary in the previous libraries designed by the firm
                                         that were characterized by obscure and monolithic
                                         sculptural facades (National Library in Jerusalem and
                                         Sourasky Library in Tel Aviv). Since then, light had become
                                         a main preoccupation, also affecting furniture designed
                                         by the firm. On a visit to Berlin’s new central library
                                         designed by Hans Scharoun – which at the time only
                                         its first stage was completed – the architects were
                                         impressed by the general duskiness of the hall and the
                                         independent light fixtures on the individual study stations
                                         for the use of each reader. Following this visit, the
                                         architects designed white PVC tables for the Aranne
                                         library study halls with individual neon lights set inside
                                         their upper fold – setting a precedent in Israeli design.

                                                    Attentions to the user community and to local
                                         building traditions are other characteristics that began
                                         appearing in the firm’s work during the 1980s. For example,
                                         the residential complex in the Gonen neighborhood in
                                         Jerusalem (1980-83) [pp. 336-341] was planned for a
                                         specific community around a synagogue functioning as
                                         the heart of the neighborhood. The complex was built
                                         near another one planned by the firm in the 1960s,
                                         comprising rows of freestanding square cottages situated
                                         on the natural slope. The latter complex, on whose design
                                         Gil took an active part, is constructed as a fabric of
                                         influences taken from many layers of the local history of
                                         architecture and urban planning: alleyways, open
                                         staircases, arches and an inner central courtyard gathering
                                         communal life. Unlike previous projects the firm had
                                         built in Jerusalem, where buildings were typically clad in
                                         Jerusalem stone, the monumentality of buildings such as
                                         the International Cultural Center for Youth, Jerusalem
                                         (1956-60), or the School of Social Work (1961-66), was

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